Literary Devices in "Murder in the Cathedral"

T.S Elliot killed in the cathedral is a respected play consisting of faith, revenge, and endless power struggle. Archbishop Thomas Beckett of Canterbury and two men of England's Henry II showed this struggle to demonstrate their power. This argument about the dominance power between the church and the country is based on the murder in the "cathedral", the relationship between humans and God. Thomas Beckett is the representative of the power of God, Henry II and his adviser are government representatives, or human powers.

Raymond Carver's "cathedral" proves that a simple story (line) / plot is a (literary) art work when mixed literary devices such as metaphor, cynicism, and symbolism I will. Literary instruments are not about the story of a blind couple but showing about relationships about helping you better understand the role. There is a variety of sarcastic examples in the "cathedral" as to how much Robert is fuller than the narrator. A narrator is a person who is depressed and unhappy because he likes to test new things, opposed to Robert 's very self - sustaining, being very happy. He has no real relationship with his wife, and Robert and Bellou can not explain it. When the narrator said all this is shown on page 6. "... a woman who can do it everyday will not win the lowest compliment she loves." This is ironic The teller never gave his wife a compliment, and Robert to Beiru You may have given a lot.

In the late 14th century, British Salisbury citizens were summoned in the cathedral by machine. This is a wonderfully strange device. It consists of a series of iron gears, wheels and rods, all arranged in a cube. It hung on the ropes and pulled indefinitely. The stone weighed unconsciously in the cold air. This is a clock, it has no face. there is no need. Salisbury people live in the world without a date. On the contrary, their only appointment is a promise with God. In charge of Salisbury watch ties people to a sacred duty, but it is only a step of dancing constantly changing among humans, tools and time.

T. SELIOT is one of the greatest dramaists among British writers. From his literature, we can feel a big aesthetic pleasure. I studied various dramas included in the course. However, "Murder in the cathedral" is really different from them. It has its own greatness and high literature. Eliot's poetic form is the most appropriate form of expression in drama. In his opinion, Ibsen, Steinberg, Chekhov are the limits of prose. In stark contrast to them, Yeats and Hofmannsthal maintain old traditional affinities between drama and poetry.