Literary Criticism of Wollstonecraft's Maria, or The Wrongs of Woman

A literary criticism of Wollstonecraft, or a female mistake, "contradictory words seem to be slightly crazy about reason logic, can not listen to ready-made grids, pre-prepared code can not be heard. .. 1 people need to listen to her words (Mary) to listen to "other meanings" that often appear in the weaving process, and to always be fixed and fixed to accept that word Throw them away to avoid it. Wollstonecraft can confuse public, symbolic discourses with private, emotional, semiotic languages ​​and regard it as a force rather than the weakness of her novel (45).

Criticism of Maria 's Maria by Wollstonecraft by Mitzi Myers Mitzi Myers writes her article on Mary Wollstonecraft on Maria and other works, especially Mary and the advocacy of women' s rights to better understand the author and its purpose I examined it. She mentioned some of the arguments advocated by critics to bring out her conclusion. She also sought insights from William Godwin's note on Wollstonecraft. Myers calls her "her novel and aesthetic theory, as well as individualist and innovators in her academic disciplines" and "Walstone Craft is not solved but faced with a reasonable feminist program" recognized. Composite problem. "

Benoist's husband translated Maria from Mary Wollstonecraft. Or, translated Wrongs of Woman into French. During a short period between the French Revolution and the rule of terrorism, the Feminist movement in France has soared. To moderate Wollstonecraft at that time to a French feminist thinker, it was short enough to be suppressed by Napoleonic Code. My intrigue is that we will continue to project on a portrait of a woman without this name. Cross feminists are seeing white feminists in the history of using colored women's body as their canvases. The historian saw the turbulent history of the French Revolution - when a woman became legal equality, the slave was released and all hell in France and its colonies collapsed. Social historians often see the history of slavery becoming a transfiguration pattern of servants. We will throw everyone. Everyone decided. That is why Benoist's work has a very long life.

I was imprisoned to force me to make property, yes: at a personal madhouse ... "(Maria 131-32) These are not yet from Mary Wollstonecraft (1759-1797) A fictional novel.Women's work is to confirm the private operation of the madhouse where the main character Maria is restricted and the importance of private ownership is to make Madhouse out of the legal discourse. - Women's Wolf Stone Craft defends women's rights in the life of a slave girl and symbolizes Harriet Jacobs's life Mary Worthcraft and Harriet Jacobs have been separated from each other for about 300 years but are fundamental of the two work Before her time, Wollstonecraft was a feminist, Jacobs was a free slave, she just did not want her freedom