Lines Written in Early Spring Questions and Answers

In this poem, the speaker observes the field flowers and birds as avatars and compares them with "what people made." The lecturer has "sad feeling"

The poet sat in the forest in early spring and heard the mixed sound lying down. He is in nature, he likes the scene in front of him: vinca and

Since the emotions and themes are consistent with Wordsworth's view on nature-human interaction, the speaker is Wordsworth himself. Beyond the context of biography, however, readers

In this poem, the lecturer is in the early spring nature "bringing a sweet mood into a happy thought / bringing a sad thought to the soul". So he thought of the beauty of the flowers.

In "the line written in early spring", nature and humans are interrelated, but they represent a contrasting existence style. "Tintern Abbey" is confidently determined to achieve victory. "Line written in early spring" made the situation unresolved. If it is a sketch of "Tintern Abbey" it is one of the sketches created by the great master It is not as small as the painting completed, it is not deep, but it has its own charm. The onomatopoeia in space 1 line is subtle. There is a set of various vowels and consonants in the cute phrase "mixed sound of one thousand". We did not take you to "all the birds in the state of Oxfordshire and Gloucestershire", but we did not let the birds sing as weak songs as memory memories heard. Otherwise, Wordsworth scene setup is not necessary. This is his spiritual concern.

"A line written in early spring" was written in April 1798 which William Wordsworth and his friend Samuel Taylor Coleridge expressed using a groundbreaking romantic poem collection "Sentimental Songs". They have come to the world of literature. In a sense, "the line written in early spring" can be regarded as the predecessor of Wordsworth's more famous "line" poetry, "The line wrote a few miles above the Tintang Abbey." "The line written in early spring" is written in the vernacular quarter note; the instrument is the syllable of the Japanese syllabary, that is, the rhythm of the life speech (at least English), which Wordsworth I tried to capture it in a lyrical song like 1800. As mentioned in the foreword. This poem should be read in the context of other verses of Wordsworth.