Limon Dance Company is America 's oldest modern dance company. Jose Limon founded Limon in 1946. Initially, the company survived only by word of mouth, but eventually it grew to be one of the most famous and famous modern dance companies in the country. The Limon Dance Company survived and the original dance was intact These dances preserved the company's talent, preserving the legacy of a medieval dance choreographer. The three pieces performed by Limon are champion, winged and Moore's Pavéne.
The company of Doris Humphrey ended in 1942. Then she became art director of Joselimon. Limon dances at Humphrey company. Humphrey choreographed over 80 dances. Among them is the 1928 Modern Ballet Color Harmony, 1928 Water Research, 1931 Shaker, 1947 Earth Day, Water Research is one of her most wonderful works. The audience like that. "Dance magazine explains it as" a work that surprises both critics and viewers, from its calm beach to the storm, its synchronized dynamic waveform ". "(Texas Library Committee)
I originally wanted to be a dancer. I have been trained as a contemporary ballet dancer for many years. If I want to be more accurate, the style of dance, or language - the dance I have been with for a long time is Limon. This is the location of Limon Company. I started training and dancing and eventually joined Limon. Back then, I was in my early twenties. To tell the truth, I was not a great dancer. I love it, but fortunately I noticed that this is not my future. I also wrote it for many years at the same time. I finally decided that the time to focus on writing came. I started writing books and decided to come here to study my doctor's degree.
One of the wonderful things about this special program is that I work with artists. I worked with Carla Maxwell, Artistic Director of Limon Dance Company. She is the original dancer of that particular part. I also went to an apartment in Martha Clark and worked together. I know Adam of Julia. I saw his first workshop, he imitated Deborah Lazar, he is a teacher of LaGuardia high school. It's impressive, I will never forget it. So please let me choreograph him.
I led CHAOS to a dance seminar at a high school in Lismore, New South Wales. The school has enough resources, a barrier-free dance studio, a complete middle school dance course, and an excellent teacher. I am interested in the fact that they need external assistance. I still think that integrating danced as a professional is still changing. The presence of company CHAOS is strong, people who are confidently disabled dancers enter the circle and support them, people are touched. In this school, I often see the magical moment, a wheelchair dancer first enters the loop and waits for the next person to enter and shape around them. This seems to last forever until a brave man thinks "oops", and until this and your dance studio are integrated