Lev Vladimirovich Kuleshov and The Moscow Film School

At that time, Kueshov was deeply impressed by the work of Mack Sennett and D. W Griffith, the great pioneers of the film at the time. He was later named Kulesov effect. He became a mentor of the Moscow First National Film Academy, an institution established by Kueshov in 1919, introduced his editor and montage theory to his students and future Soviet films, and they are the great film industry It became a pioneer, Segei Eisenstein. And Vsevolod Pudokvin.

"The oldest montage director and experience over the years has been Lef · Cresv, taught at the National Film Academy since designing and supervising a movie before the revolution, he was 18 years old during the riot of Bolshevik - the revolution actually It was at his university. (Most Soviet major movie makers were under political turmoil over 25 years, but at the age of 17 before that, young art students were designers and Evgeni Bauer He also found a job, he also completed the movie after Bower's death and acted to supervise the movie himself. When an old movie company left Moscow, he was in a mixer truck and agitkas Working in the field, preparing movie screens for mixer trucks As one of the founder of the Moscow Film Academy, he studied movie theory and technology It was established under was Kuleshov seminar.

Russian coach Lev Kuleshov did an experiment to prove this around 1918. He took a clip of an old movie of the Russian famous actor's head, took a shot at the bowl of the soup, then brought the child to do a teddy bear, then took an elderly lady in the coffin I have been to the inside. When he showed the film to the people, they praised the performance of the performers - hungry to his face when he saw the soup, sorrow of seeing the child's pleasure and a dead woman. Of course, the actor 's shot was several years before another shot, he never "seen" any items. The simple behavior of juxtaposition of the shooting sequence constitutes this relationship