Lenz, by Georg Buchner

In Buchner 's "Lenz", the hero is depicted as a mentally unstable and depraved man without contact with society. The madness that Lenze draws on Buchner can be seen strongly from his story style, but it can also be seen as realization and use of nature. From this point it can be appreciated whether the story is the most effective technique to explain Lenzse's insanity By examining Buchner's story style, a person can tell that it is with other German romantics You can see that it is different. Von Krest seems to be the news coverage of "The Marchioness of O ...", and the story of "Lenz" seems to be disturbed by the hero.

Georg Buchner's classic drama "Waisec" was incomplete, but before that, the drama's script and modernity were celebrated only in the past century. His young activist, Buchner, was intended to use this work as a social protest against the repression and condition of the poor. This work shows the audience the extreme tragedies experienced by people in poverty, people who have lost all hope, and consequently tolerated within the environment. Despite the requests of key figures for aid and spiritual intervention, they are in trouble. Buchner does not have any form of redemption or redeeming

Based on the decline of men, Georg Büchner explores Jacob a little sympathetically in the novel. In an interview with Paul Cronin (2002: 137), Herzog called the work of the author Büchner and said that the work "can only be used in awe place", and as the film of 1976 starring Klaus Kinski Büchner 's Woyzeck I used a modified version of it. (Herzog 2000). However, recently, the era of Herzog was short-lived, soon afterwards it has been pointed out that movie directors "got away from traditional leftist ideas" (Prager 2007: 78). Buchner's literature reflects his own political freedom struggle in the 1930s (May 1974) before the terms "left" and "right" became part of political nomenclature, but he I was in a progressive circle. It is highly appreciated. Short articles give a pretty eccentric impression, but the following references indicate some similarities between Büchner's Lenz and Treadwell:

The philosopher Johann Georg Haman is considered a theorist of Stahm and Dran, Jacob Michael Rheinhold Lenz, H. L. Wagner and Friedrich Maximilian Klinger are also important people. Although John Wolfgang von Goethe is also a prominent supporter of the movement, he and Friedrich Schiller finished their relevant period by launching what is to become Weimar classicalism. Heidelberg is the center of the German romantic romantic era. The romantic stage after Jena is also called Heidelberg Romanticism (see also Berlin Romanticism). There are Romantic schools of Heidelberg such as famous poet circle, Joseph von Aixandorf, Johann Joseph von Gérres, Ludwig Ahim von Arnim, and Clemens Brentano. The ruins of Romanticism is Philosophers' Walk (German: Philosophenweg), a beautiful sidewalk near Heiligenberg overlooking Heidelberg.