La Figlia Che Piange

There are few memorable or important emotions than regret. Dismantling, death, or traumatic events can create strong emotions, it seems impossible to eliminate it from memory. Memory of regretful events circulates indefinitely into the hearts of the affected people, always reminds them of past problems and hopes they will escape their emotions. In the poem of 1917, "La Figlia che Piange" is translated as "Crying Girl" in Italian. Elliott explores the relationship between the event of traumatic regret and the ideal memory of the speaker.

In 1910 and 1911, Elliott copied a poem that can make his own name on a leather note: "Alfred · Prourok's love song", "Female portrait", "La · philia" Che Piange of the windy night, "Prelude", "Rhapsody". "Combining some of the powerful and iconic poems of Robert Browning's unique and the seriousness of Lafoog's alienated poetry and the moral Elliot once called" Boston doubt ", these poems are boring wit Their subtleness Their influence is unique and persuasive, and their guarantees are intertwined with those of contemporary reading of manuscripts. It is unique. From the beginning, the whole is there. "

The modern spirit has shrunk from life and it is not really expressed as it is not so refined. Think twice of a lovely poem "La Figlia Che Piange". How delicious and beautiful the emotions are. What a beautiful and beautiful music. This is the most spiritual flower in America. For such a poet it would be the last absurd to go to the west and write down the big eye kangaroo being a young Westerner in front of me. It seems unbelievable that this wonderful poem should be published in the year when the prize was awarded. It is for the troublesome counterfeit work "All life in life".

The last prototype represents an "ideal" woman. T. Elliott's poetry is full of perfect and unreachable female figures. La Figlia che Piange is the best example of his ideal female statue. He imagined the woman as his model. He posed for him, took her with flowers, and instructed her to "weave the sun". Narrator seems to admire the drawing woman, but he does not trust her. He saw "leap and indignation" in her eyes, and she turned to him. Perhaps the reason why she left for what was mentioned in the second section is the misunderstanding between the parties. Even though a woman can not touch it now, the talker still ideals her. He remembers her perfection, holding flowers and hair in his arms. Even a quote on a poem shows his praise.