KING TUBBY’S REIGN

KING TUBBY'S REIGN "Dub means the original riddim.Dub jus and it means original music.This version is exactly like your creativity and there is no sound.The dubbing master of all dubbing masters is everything It is true dubbing daddy. He was not only one of the most innovative music engineers of the time, he was also an artist, a pioneer and a teacher of the dubbing master. This list is an endless list of his direct influences, including names such as Hopeton 'Copcistist' Brown, Philip Smart, Lee 'Scratch' Perry, Prince Jammy, Yabby You etc.

Dub is a reggae style pioneered by studio producer Lee 'Scratch' Perry and King Tubby. It includes a large remix of material recorded with particular emphasis on drum and base line. The technology used brought more guilt as described by King Tubby which sounded like "a volcano in a hurry". Augustus Pablo and Mikey Dread are one of the earliest famous supporters of this musical style and continue to this day. Cheers is a way to talk about music using a rhythmic rhetoric pattern and rhyming patterns widely developed by Jamaican disc jockeys in the 1950s (called "lawn"). A major record of US R & B will be added to excitement and ballroom. Developed by Count Machuki, King Stitt and Sir Lord Comic they use the current audio system to play and speak styles and develop them into their own style.

Despite the limited availability of electronics such as King Tubby and Lee "Scratch" Perry, their experiments in mixing culture are at the forefront of music. For example, King Tubby is the operator of the audio system and electronic engineer, and his small waiting room studio at Kingston West's Waterhouse Jewish Quarter is an important place to dub music production. In the late 1960s pop music, including beach boy and beetle, and rock musicians began using electronic musical instruments such as theremin and melotron to supplement their voices and define them. In Thom Holmes, in his book Electronic and Experimental Music, the recording of 1966's "I do not know tomorrow" is due to the merger of the band, "A new era of electronic music in rock music and pop music I will create ". Song Group and Reverse / Speed ​​Control Tape Sound

In Jamaica, popular electronic music appeared in the 1960s, and dubbing music was rooted in the sound system culture. Dub music was created by studio engineers such as Sylvan Morris, King Tubby, Errol Thompson, Lee "Scratch" Perry, Scientist. Their experiments included a tape base combination comparable to the musical aspect, a repeating rhythm structure comparable to minimalism (usually removing its harmonic elements), spatial electronic manipulation, and prerecorded music sounds from the public Electronic manipulation. Media and show organizers record music comparable to the live performance of electronic music, mix music with the turntable, mix vinyl and scratch.