Kenneth Oppel’s Half Brother and Sara Gruen’s Water for Elephants

Animals are often used in literature to attract reader's attention and make them fall in love with this characteristic creature. In this case, regardless of whether they speak, give blessings, or save days, the work will be better remembered for unforgettable creatures that remain forever in the audience's mind. Animals will appear in "Semi-Brothers" by Kenneth Oppel and "The Water of Elephants" by Sara Gruen. Both authors are incorporating the use of dynamic animal characters in their story to compare their main characters.

Elephant water is a wonderful sentence; it is not a circus of our time. Instead, Sara Gruen chose to take the story about the train circus back to the Great Depression in America. As an addition to the book, the author made a brief interview with the author, and she said that her story appeared when she was reading a news report about the train circus. I appreciate the courage to write such sharp stories! Another factor that makes this book more special is that it is one of the few novels published at the Na - No - Wri - Mo Show (National Fiction Writing Month). It's a wonderful idea. One day, I hope to train and become part of the plan!

In Sarah Glune novel 'Water for Elephants', the character 'Uncle Al' plays a very small and important role. Uncle Al's role is actually the backbone of the Ben Seni brothers and is essentially the materialization of American capitalism. In this article, I will explain how his uncle's personality reflects America's capitalist ideology. First of all, the main priority of Uncle Al is to attract Brother Bensini's most spectacular earth performances and attract as much "ruby" as possible to exceed the ring ring brothers and their performers and animation .

To my surprise, "elephant water" did not succeed, and it has a great margin against almost all targets. From the best-selling Richard LaGravenese, a huge hit by Sara Gruen, we have incorporated an old romantic drama with no romantic and dramatic conflict. Only dusty shiny technical efforts by art director David Crank, customer Jacqueline West, and director of photography director Rodrigo Prieto can win the audience applaud. Sky, this may be the most serious nonsense this year.