Jules Bastien-Lepage

Jules Bastien-Lepage Jules Bastien-Lepage was born on 1 November 1848 in Damvilaire, France. His father planted grapes in the vineyard and sold it to his family. Jules began to show interesting in painting as he is unusual and his parents backed his interest by purchasing his prints for him to copy. By the time he was nine years old, he was good at drawing with a pencil. He went to Verdan Theological Seminary and received all painting awards. He decided to become a wonderful painter now.

The portrait and landscape of Kerr-Lawson in the late 1880s and 1890s shows the real air influence of Jules Bastian-Leppic. On the other hand, the decorative painting of 1904 proves his paintings in Venice. Love, especially works by Canaletto and Tipolo. His work features fine paintings, flat color tones, decorative effects. He is known for his architectural view in mural painting and lithographic printing. He became a founding member of the Senefelder Club in 1908 with the aim of regaining interest in lithography.

Jules Bastien-Lepage creates a realistic atmosphere, including the existence of supernatural and religious existence in his paintings. I make oil color on the canvas and create real quality. It is clear that he uses delicate brushes in the real way by carefully studying the artist's skills. The use of color and light seems to be layered in order to give depth to the landscape. The background of the picture is a garden with leaves and brushes, the main focus of the picture is Joan of Ark. The artist put much effort on the details of the scene. Bastien-Lepage uses a unique and real quality for his paintings. A rustic color tone of various shades of green and brown mixed most in the garden scene and mixed

One of the most impressive works of the 19th century European paintings of the Metropolitan Museum of Art is Joan Bastien-Le-Petit Jeanne d'Arc in 1879. It is exhibited in a long hall, but it displays a lot of other paintings, reliefs and sculptures, but because of its oversized size it has gained some attention. (100 x 110 inches) However, despite being large, when many other works are gathered in the room, it seems a bit crowded. It is adjacent to "In the Studio" by Alfred Stevens and "Venus Birth" by Alexandre Cabanel. The side Jeanne d'Arc seems to be suitable for that work that was born logically from almost the same time. French compatriots, Pierre Auguste Court's "Arashi" and other paintings are especially compliments