Jude the Obscure: The Relationship Between Point of View and Setting

For Jude, the atmosphere created by Mrs Fowley is very difficult. This is an example when the boy feels that the eyes of my aunt's companion are striking the face (8). The reader may conclude that Jude is sensitive and different, and this humiliation will give a boy a sense of oppression. Later, Mrs. Furry refused to admit a comment made by a local laundromat, one of her companions, for example he said that Jude might be in your loneliness , (8)

Jude Fawley: Jude comes from an ambiguous origin and struggles to make his wish come true, because it dies pointlessly, it is difficult to understand. In an ambiguous sense, he is also ambiguous: he is internally divided between sexual desire and knowledge. Therefore, he is fighting himself and the world. Sue Bridehead: Jude and Hardy think that she is as attractive, lively, intelligent, fun and charming as a teenage girl. She is selfish and desires more than what she is willingly giving but is smart but her knowledge is very fashionable and very shallow so I use it I will. She gives me more freedom than she can handle.

"Love" was set in the 1950s. Life was easier than when the 1890 '朦胧 朦胧' was set. Through education, Vic has more opportunities for work than Jude. Jude is expected to work in his family transaction as a mason for the rest of his life and the Big has more choices and freedom. As a scholar, Jude wishes to learn, this is a dream, but Bic is not keen on learning, but he is still interested in learning music.

In the novel "The Unknown Jude", Hardy showed to the reader that romantic features and character ideals (Jude and Su) are harmful to them in their anti-romantic world. Their romantic ideals are opposed to their society, the more they are better than living in their world, the more unique they are to their character. In his novel, Hardy shows Darwinism, which represents conflict and modernization and progress between Romanticism and "Golden Age" related to tradition. (Davis) The personality of Hardy repeatedly felt "the pain of modernism". (Rogers)