Jonson's Volpone

Borpone's Gay Overtone As a woman did not participate in the theater during the Renaissance era, a man wearing slippers played the role of a woman. This special feature of the Renaissance drama adds many layers to the scene of the stage, pornography and socializing. However, "The main difficulty in investigating this landscape comes from the strong signs that early modern pornography is fundamentally different from today's, so the distribution of potentially different cultural codes of Lena The challenge of interpreting is very big. "

Many of Jonson's Volpone critics believe that it is not a real comedy, but tragedy, comedy, satire. Volpone has some tragic features, but it seems to be close to comedy habits. But this is not a form of traditional comedy. This is a drama that appears in the form of interesting satire and moral drama. It also strives to teach morality, so it also adapts to the characteristics of the allegory. By creating a new comedy format, Jonson showed the viewer a method that is not a type to tackle his irony theme.

Volpone was a comedy written by Ben Jonson and was first published in 1606. Ruthless sarcasm of desire and desire, it is still the best drama of Johnson's performance, and is the most exciting part of Jacob's comedy. Several critics of Jonson's Volpone believe that it is not a real comedy, but more precisely a mixture of tragedies, comedies, satire. This is not a form of traditional comedy, but a dramatic way of satirical and moral game. However, the play realized these traditions, but it had various effects on the expectations of comedy or moral drama. By devising a new comedy type to solve his satire problem Jonson offers its viewers a unique way to solve all three types of aspects.

Volpone does not imitate traditional virtues, it is sarcastic of the various dramas that were there anywhere at the time. In The Dedication, Jonson claims that Volpone will be a "moral" patent, his aim is to separate justice in the proper way. For playwrights of this age, this is unusual. Here he attempted to 'disarm moral critics of the theater'. Jonson hopes to "make justice" and "lead life" by respecting the combination of comedy and ethical game by implementing some features of ethical game (The Dedication, lines 112-113). The severity of retaliation at the end of the game is more versatile than a moral game, it is not silly idiot. "The surprising frank exposure and punishment of Vaporone made the addiction of a satirical comedy the standard of the only success against the power of traditional morals."