John Ford's The Searchers

The critical theorist of John Ford's searcher Robinwood thinks that the type of movie being advertised by the Hollywood system is not 'discrete' but 'a different strategy to cope with the same ideological tension' There. (478) Wood suggests that the traditional theory is failing to solve this ideological phenomenon and suggests to look for myths and inconsistencies created by American capitalism. Wood endeavored to discuss this ideology and enumerated the "constituent elements" of the definition of "American capitalist ideology". (476) The element is the character of "ideal man", a powerful hero of American way.

Taxi drivers consciously will be affected by John Ford's "Searcher" (1956) - another angry veteran and a social abandoned story in a long-hair coman named Ska Known Chi Qi search and rescue is obsessed with his young prostitute. The Ford movie is to let her go back to society to release the young girl, restore her virtue and purify the soul of the searcher himself, even if he is still an outsider. The taxi driver reestablished Robert De Niro 's outstanding performance capabilities and made it possible for him to fully immerse in his role. (This is his second movie about Scorsese following Me Streets (1973), when both De Strero and Harvey Keitel became famous for young people in New York.The role is one of the slogans of the poster It is explained by.

In 1956, John Ford's movie "Searcher" got praise for his more balanced portrayal of American Indians. But at that time, "balance" has a different meaning. The Navajo people in Monument Valley are working on searchers to pay less than the white counterparts as additional staff, consultants, or other staff. At the time, they were not allowed to leave the reservation without the government's written permission; therefore, it is necessary to see the fact that they are willing to work. But Ford's efforts were progressive in his era and laid the foundations for some more realistic balanced movies.