John Dryden

Fighting between contemporary people and ancients "The beauty of French poetry improves perfection in perfection but it is not enough to be where it is: they are indeed a statue of beauty It's not the beauty of men. "The writing of this article by Dryden is a dramatic dialogue that represents four roles in four key positions. These four important positions are contemporary Scriptures, reality, French poetry, British drama, tragedy of tragedy and comedy, and drama rhythm (Bryson).

Olympian poets John Dryden and Samuel Johnson used to condemn the "unnaturalness" of these poets to widely apply the term "metaphysics" to the poets of England and Europe in the 17th century. John Dryden was the first man who used the word "metaphysics" to work with John Dern because he "influenced metaphysics". Also, Goethe wrote "unnatural, this is also natural." The poets were studied for their complexity and originality. It is irrelevant and unreasonable to say that "metaphysics of poetry is the fruit of the Renaissance tree and is too mature to approach corruption" (C. S. Lewis). Scholar 325 describes metaphysical poetry features from different angles. Indeed, as RS Hillier mentioned, they listed the nature of metaphysical poetry. "Loose, these metaphysical poems are difficult, philosophical, ambiguous, etheric, participatory, arrogant, ingenious, wonderful and bull heads are not right.

John Dryden (1631-1700) is an influential British poet, literary critic, translator and playwright who dominated the literary life of the British restoration era, so this era was called in the literary circle . For the days of Dryden. He founded a heroic couple as a standard form of English poetry. Dryden's greatest achievement is a satirical poem like the simulated hero MacFlecknoe (1682). Alexander Pope (1688 - 1744) was deeply influenced by Dryden and was often borrowed from him; other writers of the 18th century were influenced by Dryden and the Pope.