Johanne Adolphe Hasse

In his time, Johan Adolf Hasse was at the forefront of Italian opera. He has produced numerous sacred works, but he is best known for his opera work. He is very popular in Italy and Germany and has received requests from courts and opera houses throughout Europe. Some of his greatest names in his cultural figures of the day and today's mediocre music industry took part in his performance. His later years, as the style changed, Hasse's praise after his death decreased. But after a few generations, he was reestablished as the bondage and idol of the classical ancient Italian opera which is the name he has today.

Most of the conversion of Augustine was the oratorio of Santo Agostino (1750) by Johann Adolf Hasse. The oratorio plays written by Duchess of Bavaria Maria Antonia exploited the influence of Metastasio (a script edited by him), and into the early five players "complete transformations" written by the pastor of the Jesuit It is based. Franz Neumayr. In Opera, Augustine's mother Monica was presented as a distinctive role, feared that Augustine might not convert to Christianity. As Dr. Andrea Palent said:

Carl Heinrich Graun (1704-1759) is German. He is both a composer and a singer. Along with John Adolf Haas he was considered the largest opera composer in Italy then. Cesare e Cleopatra is a 3 screen musical whose screenplay is overseen by Giovan Gualberto Bottarelli. On 7th December 1742, it congratulated the opening of the Royal Opera Theater in Berlin under the celebration of the Frederick King's Committee. Johann Adolf Hasse (1699-1783) is a German musician. He also participated in teaching songs and music. He is known for his rich pieces of two major pieces: opera and sacred music. Antonio and Cleopatra were the first dedication to the stage of Napoleon, founded in 1725. The two main singers who showed off the show were Vittoria Tesi who richly controlled the sound and Carlo Broschi played the singer. However, the development of the plot and the direction of the stage are very bad, and this opera is usually called a conta.

Sciro's Achille is a script by Metastasio and consists of Domenico Sarro for the inauguration of San Carlo Theater (November 4, 1737, Naples). The previous work is from Antonio Caldara (Vienna 1736). The opera after the same script is Leonardo Leo (1739 Turin), Niccolò Jommelli (Rome 1749 and Rome 1772), Giuseppe Sarti (1759 Copenhagen and 1779 Florence), Johann Adolph Hasse (1759 Naples), Petersburg) composition. 1772), Giuseppe Gazzaniga (Palermo 1781), and many others. It is also designated as music as Il Trionfo della gloria