Jean-Paul Sartre’s Play, The Flies

The play of Jean-Paul Sartre "The Fly" is a tragedy that Sartre combines philosophy, politics, and literature. Using his literary talent, we put numerous themes and literary means in the Lord in order to make statements about humanity and political turmoil in 1946; freedom is constant and obvious in the whole script It is a theme. Sartre could even add a deeper meaning to the play using inanimate objects like stone. Sartre also inserted several things into his tragedies in his life.

A few months ago, I participated in an online discussion on the Noetic platform - about The Flies' classic existential drama, Jean - Paul Sartre. After reading this work a couple of years ago, I returned to other existantist works I read a few years ago, and now I have reviewed the point of time, maturity, and further research Especially I was happy. . Sometimes the works I remember do not have the excellence I originally attributed to them. However, in this case the opposite is true. When I first met a fly, I did not appreciate flies as I do now.

No Exit (French: Huis Clos, pronounced) is a French drama with a presence of Jean-Paul Sartre in 1944. The original title is French, equivalent to a legal term. This means private private discussion. The play was premiered at Théâtredu Vieux-Colombier Theater in May 1944. The drama began with three roles, and they found themselves waiting in a mysterious room. This is a description of the world after death that the roles of the three dead are trapped in the room and can be punished forever. This is the source of the famous and well-misunderstood quote "L'enfer, c'est les autres" or "Hell is other other" of Sartre. It is reference material. As an object from another viewpoint of consciousness

French existentialist Jean - Paul Sutter and Albert Camus understand this as well. Sartre drew a life in his drama - No exit - the last line of the drama was a word of resignation, "Let's continue," so Sartre wrote an "unpleasant" presence somewhere It was. Camus also believes life is absurd. At the end of his short story "The Stranger", the coronation hero instantly found out that the universe has no meaning and that God does not give it. Even if life ends in a grave, there is no difference whether that person lives as Stalin or as a saint. Fate is ultimately irrelevant to your actions, so you can live as you want. As Dostoevsky said, "Everything is permitted if there is no eternal life." Based on this, authors such as Ian Land are absolutely right in praise of selfish virtue. I live for myself; no one thinks you are responsible!