Jean Luc Godard?s Weekend as Didactic Self-Reflexive Cinema

According to Steven Prince 's movie and meaning: film introduction, screen reality is a concept including time, space, character behavior, and principles of audio - visual design, and filmmakers are organized so that they are systematically displayed on the screen I will. Create an orderly world in which the character can act and the story can develop. (262) One real mode of film screen is self reflection. While the other three screen reality modes attempt to make audiences feel the credibility and story of the world on the screen, self reflexive style intentionally attempts to destroy the illusion of the film.

Saying "before breathing (1960) and after not breathing", there is a way of expression in the theatrical movie. This description refers to the picture of the famous Jean Luc Godard's New Wave, which rewrote the movie rules. They said, affecting the development of the whole art. In the field of terrorism it can be said that it comes from Tod Browning's Dracula (1931) - before Dracula and after Dracula. In front of Dracula, there were few supernatural movies in America - it helped to create a complete type

The performance of Jean-Luc Godard in the early 1960's was widely recognized as one of the best music pursued by the 20th century movie tactician. And there are good reasons. Between 1960 's Breathless and the 1966 weekend, French filmmakers produced as many as 15 feature films, many of whom are masterpieces without complaint. He also made several impressive shorts. Godard made more ambitions differently after the weekend, but with lower commodity value, the early movies are still the main content of classics of movie culture, and are the cornerstone of many premier movies .

Jean-Luc Godard declared at the end of the weekend that it was the end of the film in 1966. He may not be the first person to do so. Whether it was facing the media struggle of television and other bloggers, movie death was announced periodically and aloud. The latest challenge to the crown of movies is the advent of digital technology, which not only changes the means of filmmaking but also changes the delivery system. Among their new books, Andre Gaudreault and Philippe Marion test this phenomenon and try to find reasonable facts through exaggeration.