Italian Neorealismd Films

Italian neo-realism is a cinema movement pioneered in Italy, recognized by the use of non-professional actors, local photographs and plots of working class or poor. Italian neo-modernist movies deal with the difficulties the working class faces everyday; these stories are caused by circumstances left after World War II and they often have open stories It is. In terms of style, these movies are spacious, fluid, usually documentary. [1] A pioneer in new realism, Cesare Zavattini hopes to eradicate artificial plots and professional actors, commentators Umberto Barbaro said that neolarism focuses on what is missing in the current Italian film He said that.

The history of the Italian film began a few months after Brother Lumiere began filming. The first Italian movie was in a few seconds and showed Pope Leo XIII giving blessings to the camera. The Italian film industry was born between 1903 and 1908. There are three companies: SocietàItalianaCines, Ambrosio Film, Itala Film. Other companies immediately followed up with Milan and Naples. In the short term, these first companies achieved fair production quality and the film was immediately sold outside Italy. The movie was later used by Benito Mussolini, Benito Mussolini founded the famous Cinechita studio in Rome, which was used to promote fascists until the Second World War.

Italian movies started in the early 20th century. These movies depict different historical facts and names. The Golden Age of Italian movies was from 1909 to 1916. After World War I, the sound was introduced to the Italian cinema, but it was not that fun. Fascism continued from 1930 to 1943, the latter replaced the neo-realism movement. After that, pink neolitism and Italian comedy began. After the Second World War, the voice was introduced to the Italian cinema, but it is still an economic crisis, this is a boring work era. Telefoni Bianchi, one of the types that was being developed at the time, was a genre that explains rich society and moral issues. This type introduces many stars that became famous later, such as Vittorrio De Sica and Alida Valli.

Film production after the war in Italy affected the image of Hollywood Americans. Italian filmmakers are committed to raising the realism of the movie and evoking the movement called Italian New Realism (Benshoff & Griffin, 2004). Films made by this movement are very popular and often call the Italians poor and working class. As a result, the depiction of the United States began to represent the Italians "working up to the earth", the working class in the movies like Marty (1955) and The Rose Tattoo (1955). Another interesting phenomenon is included in the last few years of the second phase defined by Cortez. Italian and American filmmakers revived the stereotypes of popular Italian lovers detailed in the 1920s Rodolph Valentino movie. Italian actress Sophia Loren, Gina Rollobrigida, Anna Magnini are known for their sexual behavior not to be expressed in their words