Isolation in The Metamorphosis by Kafka and Heart of Darkness by Conrad

It is not said that everyone is not an island, no one is isolated. Therefore, without social dynamics, true human survival can not be positive or productive. However, this concept is a double-edged sword. Just as human beings exist in society and need support and belonging consciousness, excessive social pressure may be ambiguous ambiguities surrounding his fantasies and stereotypes. He began to be limited to him, or who should be a prototype. Therefore, imposing it often weaken humanity because society is often blinded by the realm of the world.

Through the writers of Conrad and Kafka in "metamorphosis" and "dark heart". This explanation shows how this isolation has an adverse effect on an individual and ultimately leads to his destruction and decline. As indicated by metamorphosis, Kafka shows the isolation of the protagonist Gregor through the medium in his room. "Room" symbolizes the relationship between Gregor and its surroundings, families and others. Kafka said it as "an ordinary human room."

Family variations in deformation of Kafka In "deformation" of Franz Kafka, despite the dramatic physical change, the real nature of Gregor Samsa is negligible. Gregor's life before pervertation was limited to working and taking care of the family. As a travel salesman, Gregor has had a long and difficult job and did not have much time to experience "life". He reconsidered his life and expressed the opinion of Professor Bryan Leung Feindert on psychoanalytic criticism of the deformation "Travel trouble: changing anxiety and irregularity of train ..." The deep meaning of "transformation" can be explained in various ways according to the critical theory to test it. From the criticism of the feminist he can observe that Gregor 's rule of control decreases as he becomes a bug, as he becomes stronger in sister' s power and family role. Biographical criticism can compare and contrast features of Gregor

Some scholars noticed that the form and content of "dead" is different from other stories in Dublin. Like the "deformation" of Conrad's Dark Heart and Kafka, "Dead" reflects a unique fusion of six distinctive features and this type of truth and metaphor ("Loe 485") . The type drawn by Loe is a novel and like the many other people, I believe that "dead" has the characteristics of a novel from its length, content and form.