Is Meursault Heroic in Albert Camus' The Stranger?

There are Meursault Heroic among outsiders. Explaining Meursault to us in the early stages of 'outsiders', we can see that he does not comply with social norms. Therefore, he uses the social interpretation of "hero" to evaluate to be fair. If you want them to judge them, you give a complete example in the novel and show that he is not sympathetic and even thinking about the outcome of his actions. Viewpoint The former example is that Raymond asked Melbol to write a letter to "Arab prostitutes". Meursault knows what his action produces, but he does not seem to be feeling or looking at it.

"The Stranger" by Albert Camus is a novel about Mersau, a novel about how he became a "stranger" of society. The public already knew that he was a murderer, in which case he murdered the Arabs. However, even though he should not be part of the incident, Meursault did not mourn the casket of his dead mother. Society does not understand his existential beliefs. His extant belief allowed him to believe his life was meaningless. Meursault's common sense is that everyone will eventually die and their lives will not be a problem in the end. Meursault is a "stranger", it is ridiculous for society to show no emotions, but life has no meaning in life.

I have never heard of Albert Camus before, but after reading I found that The Stranger is a real classic. In this small book, Coronation wrote about the meaninglessness of private life. The main character Meursault participated in several absorption events. I did not cry or grieve at his mother's funeral. If the girl who had sex with him wanted to marry him, he burned his back without worrying the date (I do not care) Meursault is wonderful and easy to read, but this book's I think that the deep meaning is far beyond my current thinking. I should read this book again in the future, but now it is very interesting.

From the first line of Albert 's "stranger", "Maman died today" (Camus 3), the strange character of Meursault shows something different. The same applies to Henrik Ibsen's classic drama "Dolls House", Nora. - Consideration of wealth as a determinant of freedom began around the early days of social and economic establishment at Dole's House and Cherry Orchard and wealth is regarded as a symbol of freedom for its many possibilities . Both Dolls House and Cherry Orchard are introducing people who are in trouble because there is no wealth. Therefore careless observers will think that economic difficulties are the main obstacle for drama players.