A written investigation on the background of jazz style and the influence of music. Summary of HND Jazz History Seminar. On March 10, we held a seminar on "jazz music and dance development" for HND students. My purpose in this written investigation is to summarize the information given to me. The earliest jazz music format through African music began with music from Africa. Most cultures in West Africa disappear when people are enslaved, but there are still some core possessions and spiritual beliefs.
Although New Orleans can not be regarded as a historically credible "home of jazz", in the first half of the 20th century many studies of jazz investigations and early musical characteristics were investigated from the conclusion of New Orleans . Conclusion Social and cultural phenomena leading to the creation of jazz
Early in the 20th century, the term jazz was applied to a wide range of musical styles, and there was no consensus on the meaning of the word jazz. Music critics and historians of the early 21st century generally believed that jazz was composed of 'group improvised music with subtle rhythms under strong potential pulse' (Shipton 2001, p. Five). The seed of jazz was born from ragtime music at the turn of the 20th century, rhythm and blues songs, and band music played in New Orleans. In the first decade of the 20th century pioneering musicians like Buddy Boden developed in Louisiana and jazz moved north to Chicago in the late 1910's and some New Orleans jazz band And the performer like King Oliver. Creole Jazz Bands and Jelly Roll Morton. Joining Oliver in the North is a little unusual Louis Armstrong that helped develop the fast style of tempo known as "hot jazz".
Louis Armstrong's career has been very successful. He influenced the direction of jazz music and improvisation. Armstrong is the first "superstar" in the history of jazz music. Armstrong 's swing and melody innovation began, and when he changed Henderson' s band and overall jazz, his reputation as the best jazz musician at that time was guaranteed. He merged his hometown's jazz style with popular Broadway jazz and took on new and improved jazz. "I do not see it from the music that I say what I say - we are never worried about the situation in New Orleans because I am not looking at that angle from what jazz is.