Interpretations through Boccaccio´s Allegory, The Decameron

By allegorical interpretation of Boccaccio, Decameron chaos attacked the whole Europe in the 14th century; social classes and individuals were not immune to this strange mysterious death. Historians estimate that by 1350, this unrecognized illness has killed one-third of the entire European population. Well, in today's society, scientists classify this unrecognized illness as a gland pest, also known as black death. In the European society of the 14th century, there was no logical medical knowledge; instead, people received an additional explanation such as God punishing sinners or misunderstanding other religious groups other than Christianity It was.

It is by no means the only remaining explanation of black death in 1348, but the description of Decameron 's Boccaccio may be the most famous depiction of medieval historians and literary critics. Alberto Tenenti's article "La rappresentazione della morte collettiva nel Decameron" discusses the lack of moral or religious significance of Boccaccio for destructive events. Tenenti pointed out that the author 's attention is not that Christians win the interpretation of plague, it is not indifferent to both the impact of celestial bodies and the justice of God. Boccaccio refused his position, but there is no doubt that he sympathized with the tragic situation of Florence.

In this article, I analyze the gender theme of Boccaccio as a gender history of female language and explore it. I believe it is possible to achieve different interpretations of the author 's combination in Proem' s formal negotiation, the fourth day of introduction, and Decameron by interpreting the unique gender history of Boccaccio. Finally, Boccaccio believes that through his own Philogy rhetoric it can lead to an ideology of feminism and disgusting feminism.