Intentional Melodrama Forms in Brecht's The Jewish Wife

A dramatic scapegoat is a dramatic scapegoat that often boils the blood of contemporary critics. A sentimental monologue, a young lover of a martyr, a hero of victory, and an image of self-indulgence. Melodrama seems to be the ultimate taboo; another failing Shakespeare show or even worse, opera minus beautiful music. Ironically, the dramatic revolution and the sarcasm of all human beings Bertolt Brecht found hope for the performance of the drama. Brecht examines and operates various superficial and spectacular aspects of the drama with the basic goal of integration of entertainment and social criticism.

From 1933 to 1948, Brecht and his family traveled all over the world seeking the security of persecution and war. After the Nazis held power, Brecht, his wife, actress Helen Weigel (Jewish) and their children Stefan and Barbara, who were on the black list, fled from Germany and came to fifteen years now. As many characters of refugees white Circle, Brecht relies on the generosity of others and has many phones close to danger. His poetry in this era is often called the "age of darkness" and expresses depression and destruction he experienced during his exile. This schedule records his flight and eventually returning to Germany.

In 1924 Brecht moved to Berlin. Brecht met with Communist Vienna actress Helen Wegel during his work in Berlin. After Hearn was born, Mr. Brecht's wife Marianna moved with her parents and began actively pursuing Helen Weigel after losing reply to Brecht's letter. At the age of 26, Brecht won his second illegal son when Margaret Steven Brecht and Stefan's friendship, Vigar gave birth to their sons in 1932. It relates to women like Elizabeth Hauptman who wrote more than 80% of "Three Pence Opera", "Margaret Stephen helped close up Blythe", "A good woman in Kansai", "Mother's courage" there is. Her children, "Hera Urijoki, Comedy" "Prince Sagoru"

After moving to Berlin in 1924, Brecht's writing career soared after Edward II's publication. He worked for famous directors Max Reinhardt and Erwin Piscator, but Brecht soon made up his own co-producer, friends, and lovers' circles - including Helen Weigel. The impact of the big impact Brecht reflects his childhood concerns - hooligans, sports, jazz, cabaret - the work and current affairs of his favorite writers. After the First World War, Germany paralyzed by war compensation - the unemployment rate is still high, its political future is uncertain. Brecht studied Marx 's "Capital Theory" in 1927. His work at "Three Operas" and subsequent work has evolved for communism, and it came for the rise of proletariat. He wants the working class to gain power and change the existing political regime of the ruling class.