Incest In "Mourning Becomes Electra"

American playwright Eugene O'Neal is the author of Morning to become Electra, one of the most controversial plays in American history. O'Neal was happily married, but his marriage collapsed and the divorce was over. Meanwhile, O'Neill was fascinated by a psychoanaltic view of life, which has plagued him with the majority of his life. O'Neill remarried after divorce, but still being fascinated by a psychoanalytic perspective. When mourning became Electra's publication, his attachment to these ideas became easier, where he called "Edipus Complex, Women's Sexuality, Penis, Castlevania, incredibly pointing out, and

When Mourning became Electra, O'Neill used Greek mythology to shape the type of plot and character, dealing with some tradition, ideals, attitudes and values ​​of his own community. O'Neill saw a rich source of materials in ancient myths to study humanity. O'Neill brought a drama of psychoanalysis to mourning to become the best result of Electra. In contemporary reprogramming of the Greek legend, he managed to achieve a general feeling of unconsciousness somehow.

Mourning has become a structure and plot of Electra reminiscent of Aeschylus trilogy model. Military heroes - both Alessandria's Greek Agamemnon and O'Neill's alliance general Ezramanon returned home, both were open. Both citizens came home and realized that the fear of war polluted their families. The character is motivated by punishment and justice. This concept is the core of The Oresteia, Mannon is likewise a judge and is embodied in Mourning Becomes Electra 4 In the modern version the characters still disappeared, but thought also caused such a cause Unknown misfortune and fate: "This is a demon spirit, and I think that it is like corruption on the wall" (O'Neill 1931, 383)

American tragedy: Eugene O'Neill's memory and history, poet, and condolences became Electra

Eugene O'Neill's late drama usually involves an isolated bar and a solemn and intimate secret of a breathtaking atmosphere of the family living room. Between mourning to become Electra, which was written in 1931 and thought to be the turning point of his career by the author, and his last drama "The Moon of Mistakes", the character is increasingly narrow and desolate It is increasing more and more in places. In this regard, the last era of O'Neal's career shows the transition from the religious and social function of the tragedies of Greece to a personal destiny emphasizing the characteristics of modern dramas, John Della Kakis is the next It is explained in terms.

American tragedy: Eugene O'Neill's memory and history, poet, and condolences became Electra