In modernist movement, artists and writers are far from traditional values, fundamentally changing the rules of recognition in art. Prior to the modernist era, traditional artistic values concentrated on realism, art and life were very similar. Boredom began and many artists began to manipulate the dimensions of reality. The reality is no longer regarded as perfect, it is a series of short-term impressions. Impressionism replaced realism, the concept of personal perception was realized.
Walter Sickert is an excellent artist in the transition from the British Impressionists to modernism, Beaverbrook is one of his closest friends, I think he has a number of excellent examples in his work. Of particular interest is H · M · King Edward VIII (1936), based on the picture of the Beaverbrook newspaper. Beaver Brooke advised Edward VIII to stop the relationship with Wallis and Simpson during the retirement crisis, but at the same time announced all the details of this problem to his newspaper.
The exhibition began to disappoint us at the beginning of the 20th century. In 1906, I was quickly fascinated by Walter Richard Sickert and his "Nuitd'Été", where Sickert transformed the world from Impressionism to Modernism. He drew a dark room where the candle was sexy and lighted up on an unnamed woman. We can see what the starting point of the new aesthetic is. Human beings are not idealized human beings, but real people. Through the gallery, you will experience not only life but intimate and personal human vulnerability and sensuality. Frances Bacon's Untitled Trypsin 1974-77 depicts a lover George Dale on a beach full of nakedness and weakness. Is there a strange shadow statue, a voyeur, or was it judged? Bacon is not afraid to expose his human nature, and anyone can see it either naked or naked. This work exemplifies his iconic black trypsin series centered on his lover 's suicide. An impressive bacon collection is rarely seen in one place
Consciousness flow Catherine Anne Potter is not the only modernist trying to pass consciousness; T. S. Eliot, James Joyce and William Faulkner use it to explore the complexity of human thought. Some writers use it today. You will have the opportunity to try it for yourself now. Write three or four stories in the flow of consciousness and draw the thoughts and impressions of people with concrete experience. You can write your own and make fictional figures