Importance of Dialogue in The Tempest

The importance of the dialogue in "storm dialogue" is one of the most important characteristics of the drama and audiences can interpret and tell the story in front of them. For this reason, in scripts such as The Tempest, relationships are written and built mainly by speaking. "Storm" is a romantic and pastoral comedy play by William Shakespeare. Because Prospero is a central feature of text, most of the relationships displayed and developed in the drama are related to him.

In the first act, scene 2 of the storm happened on the island soon, a heavy rainstorm destroyed the ship of the Duke of Milano. Contrary to the fast and chaotic movement and dialogue that started with drama, this introduced his conversation with Miranda, his spirit Ariel and Prospero. In addition to providing a background story of how Prospero and Miranda came to the island, the scene revealed it to be magical - planned by Prospero and developed by Ariel -

From the first scene of Shakespeare's 'Storm', magic attracts spectators and is used to guide characters through dramas. Storm conspiracy almost completely depends on the use of supernatural forces. Both Prospero and Ariel have magical powers. This allows them (mainly Prospero) to coordinate many other characters and manipulate them with magic. Magic also provides a means to create and influence the subject of plots, emotional relationships, love and drama. The most obvious effect of magic in "Storm" is the influence on the story and the plot.

"Arashi" is a magical story of the wrecked inhabitants of the island. It includes many serious topics such as nature / cultivation, power, magic and betrayal. Many of these themes still have a real meaning today. "Arashi" is actually a fairy tale full of magical stories, interrupted natural law and happy endings. Caliban plays an interesting and important role in "Tempest". He causes drama problems and has a humorous side, but he is also very serious as his subordinates handle. Shakespeare wrote "Storm" in about 1610 - 1611, he was the main playwright of those days.