Impending Death inThe Stranger by Albert Camus

Contrary to the court, Melso refused to judge others. He saw him from the balcony, but he was indifferent when he explained him. "After a while the local boys passed, the hair was oiled, red tie, tight jacket, pocket handkerchief and square shoe were embroidered, I thought that I had to go see the movie in the town." (twenty two). He did not make any judgment, but they simply saw them, but the court and the people inside them used their opinion to decide the fate of Mersoe.

That song is compared with Albert's "stranger", where a man commits a murder and is sentenced to death. When he noticed impending death, he began to think about whether he believed religion, and whether he will go to heaven or hell. This is obvious in the song "We will not let you go, Let him go". At the end of the song and the book, he began to notice that he died in some way, so it does not matter whether he believes religion or not. It really is not a problem. "

"The Stranger" by Albert Camus is a novel about Mersau, a novel about how he became a "stranger" of society. The public already knew that he was a murderer, in which case he murdered the Arabs. However, even though he should not be part of the incident, Meursault did not mourn the casket of his dead mother. Society does not understand his existential beliefs. His extant belief allowed him to believe his life was meaningless. Meursault's common sense is that everyone will eventually die and their lives will not be a problem in the end. Meursault is a "stranger", it is ridiculous for society to show no emotions, but life has no meaning in life.

As you say, the social system of Gabriel Max's "Chronicle of Death" and Albert's "Stranger" is "like a father like a son". If parents lack morality, this is natural because children do the same thing logically. As parents shape children, authorities shape their society. When authorities act in a fraudulent or fraudulent way, society believes that it is acceptable, so authorities have great influence on the general public. - Gabriel Garcia Marquez and Laura Esquibell, virgins of the Latin American "death chronicle" society, are very important to virgin women when married. This value is one of the main themes of the record of death predicted by Gabriel Garcia Marquez. By contrast, the virginity of Laura Esquivel's "Chocolate Water" does not appear to be important.