Imagination and Literature

The importance and influence of imagination and literary imagination on literary creation and criticism differ between different artistic times and between them. Originally regarded as an abnormal function of thought, imagination is dependent on the power of reason and order. Art includes only genuine reproductions, crafts, and does not include unique creative acts. However, as early as Aristotle, human imagination was related to the power and value of art. As a powerful psychologist, the benefits of imagination, and even the benefits of a certain age have created a new and important business that tends to reveal methods, motivations and achievements in art and art.

Perhaps the main moral power of literature lies in its unique power to stimulate and develop imagination. Through literature, readers are transcended into a narrow world, most people live in the world of thinking, feeling more diverse than their own. People far from him in space, time, attitude, lifestyle. Literature allows him to go directly into the emotional process of others, and after that, any insightful reader is no longer collectively condemned as an "alien" or "trick" for success Or you can not dissolve. Practical literature regards them as living with a personal life, the same passion, confronting the same conflict, and experiencing the same suffering

The imaginative and creative aspect of literature is an essential part of literature itself. Literature is the product of human imagination and wisdom, so through literature we can live a variety of lives. Imagination can be expressed as mental abilities of all people and can be expressed as an important principle in literary theory. Only imagination can bring us to times, places, and reality where we have not lived so far. Lloyd Jones 'Pisterpip received the Commonwealth Writers' Bestbook Award in 2007 and is also included in the Man Booker Awards. Jones tells us that literature escapes the real world through imagination and it also allows him to escape from another world from a repressive political system within his novel, Pip.

The imaginative literature itself has become a virtual civil war in recent years. When fantasy novelist NK Jemisin asked for worldwide imagination literature in a speech strongly reflecting the meaning and enthusiasm of Lee Kyun, people realized that imagination can not be limited by sex or race It was. However, in a toxic racist attack against Jemisin, it was revealed that few people agreed on a small number of minorities. In the same year, a bitter minority group took part in this year's Hugo Awards' big vote, they were rewarded by the voters, they tried to politify by angrily limiting imaginary novels