Illuminated Manuscripts

(AD 800) is a lighting manuscript of the four Gospels of the Christian New Testament which currently lives in Trinity College in Dublin, Ireland. This work is the most famous lighting manuscript in the Middle Ages and is used for the complexity, detail and dignity of illustration. Since art works are obviously more interesting than words, it is believed that this book was made for the altar's display, not for everyday use. The beauty of lettering, the portrait of the evangelist, and other complex Celtic knit patterns have been praised by writers for centuries.

Illuminated manuscripts contain text supplemented by the addition of decorative initials, decorations such as border (end) and miniature illustrations. In the exact definition of the term, the illuminated manuscript represents only manuscripts decorated with gold or silver. However, this term is currently used to refer to Western traditional decorative manuscripts. The earliest surviving quite lighting manuscript originated from 400 to 600 AD originally produced in Italy and the Eastern Roman Empire. The importance of these works is not only to maintain their unique artistic and historical values ​​but also to maintain the culture offered by the unilluminated text. Most of the ancient Greek and Roman literature will disappear in Europe unless manuscripts that are not illuminated or illuminated for the scribe of dawn monks are made.

Art historians classify illuminated manuscripts as historical times and types including but not limited to antiquities, islands, Carol manuscripts, Otto manuscripts, Roman alphabet manuscripts, Gothic manuscripts, and Renaissance manuscripts. There are some examples in the latter period. Types of books are usually heavy and bright, sometimes called "display books". In the first millennium, these are most likely to be Gospels such as Lindis Pastor and Kells. During the Romanesque times, a large number of completed Bibles were created. One was Sweden, three librarians needed to lift it. In the days of Gothic and Gothic, many poems were illuminated in large quantities. Finally, the "book of time", usually a personal spiritual book of wealthy amateurs, is often enriched in the Gothic era. Other books are constantly being illuminated, whether they are etiquette or obscene