In Idoro by William Gibson, idoru is more humanized than Lenny. Toei Rei, idoru, completely virtual media star, synthesizer. Rainey is a quantitative analyst with inadequate concentration, he can be adjusted to "disease super focus" and he makes him "a very good researcher" (Gibson 30). Rainy grew up at the federal orphanage in Gainsville and was careless to limit the management of future identities. Considering only the remuneration for the program, he volunteered to participate in a series of experimental drug tests.
In William Gibson's novel "Idoru", two women face a future web camera while chatting. One is Eastern and the other is America. As far as we know, both are absolutely naked, but everyone will see each other on any big display and in the future will bring us a beautiful brand name clothing. Behind them (in fact, perhaps a vacant room) there is designer furniture. A special effect fractal is applied to the table with genuine dust. The room looks very live. All of these women can be bought online in virtual designer clothes. We are no longer ours. A huge online company can actually become a person. This is the 2007 edition of Rock Music Manager / Artist / Manager / Louis / Fan / Businessman, but none of them uses different voices on different phone lines.
In his other novel, Gibson explored another symptom of a technical shock. In his latest novel, Idoru, Gibson tells the story of a man who falls in love with a singer. Only singers are actually building artificial intelligence, not even the truth. There is no real opposition in real life, but when writing Neuromancer, the Internet is not a reality that exists everywhere. Perhaps this may be the next evolution of human dependence on computers. But there are some hints. Because many people seem to admire the purchase of computer parts and other technologies rather than cherishing relationships with others.