Murasaki Shikibu gave us a deeper understanding about the ideal role of male and female in court in her work 'The Tale of Genji'. Although there is no concrete physical explanation in the abridged version we read, the depth of the personality of some of the characters shows us the ideal that should be in the court of peace. Compared with today's ideals, ideal men and women seem to have changed only due to media influences. First of all, the ideal person seems to be what Genji is portrayed through the book.
In this article we will start with some background information on the Tale of Genji based on the source story of Murasaki Shikibu translated by Royall Tyler and explain how the presented ideals contradict each other. Rowling shows women that they do not need to have a wonderful voice to look like a supermodel, or be noticed by society; they do not need people to encourage all ages. An important word to remember emphasizes the proverbs of JK Rowling's character. "Beyond custom-made one, that person's greatest wealth" (Luo Lin)
From a modern perspective, one of the strange things about "The Tale of Genji" is that the two main characters, Genji and Murasaki, disappeared in the middle of the book. The main story through the last few chapters involves the two young men who almost killed herself by pursuing the same lady. One is Nio, the prince of perfume, a somewhat shallow but attractive woman, Genji's grandchild. His friend Kaoru is a high scent but awkward person, but he is the son of Genji, but in fact it is the result of another man meeting with Genji's youngest wife.
Therefore, "The Tale of Genji" is a story of women's vulnerability to a society of women whose women are completely dependent on men. If a man wants her and his position is high enough, even the wife of the emperor can not benefit safely from his progress. Everyone, even stepmother, can be. Her only escape is a nun or death. (And the monastery is not that secure, the book ends with a cliff that includes a nun too beautiful for her kindness. Let us speak frankly: the dress is the fault of the girl There is no play, etc.)