Ibsen's Ghosts Vs. Aristotle's Poetics

Although the ghost of Ibsen is a relatively modern drama, it holds much of the classical tragedies defined by Aristotle and is supported by ancient Greek playwrights and poets. In this case one element highlighted is a letter. Aristotle believes that the main character of a good tragedy has four main factors. 1) The role must be good, 2) etiquette, 3) The role must be true to life. . Ibsen's ghost, wife's tragic hero.

Shakespeare's early tragedy first appeared under the influence of Christopher Marlow (1593?). Topics include destiny and personal guilt (Aristotle and poetry) and nature, unnatural / artificial. The existence of errors: Fatal defects, misjudgment, and tragic ambiguities: Some responsible people suffer more than they deserve. As a person who loves Petraran (in love with love), Romeo's concept of love is violent. Agreement and Petrarchan's love. He also balances nature and art, nature and man-made. He is particularly funny because he seems to be the most depressed. He is vulgar, physical, anti-traditional and historical (dramatic). He imitated Romeo's femininity and seemed to be attracted to him, being threatened by his handsome. He also suggested a homosexual relationship - how excited it does not destroy it like heterosexual love

Aristotle's poetry is often referred to as the equivalent of Plato's poetry concept. Poetry is his argument about imitation themes. Aristotle does not oppose literature, human beings are imitation creatures, and I strongly hope to create sentences (arts) that reflect and reflect reality. Aristotle believes that it is important that there is a certain distance between art work and life; they learn from tragedy and comfort just because they do not happen to us. Without this distance, the tragedy will not cause catharsis. However, it is equally important that the text allows viewers to recognize letters and events in the text, and as long as such perception does not occur, it will not touch us as audiences.

Aristotle's poems are fragmentary pieces, which were originally texts used by philosophical students, not the general people. The surviving part is mainly about the tragedy. The most remarkable thing about the view of Aristotle's poetry process is that he sees it as "imitation" (imitation) of the actual situation, not an invention. But since it is a spiritual abstraction derived from many individual instances, it is more "universal", more general, or a wonderful ideal degree (as Plato said)