How Rococo and Neoclassicism Illustrate the Process of Deciding in their Paintings

Authors Jean-Honoré Fragonard and Jacques-Louis David, who portrayed the decision-making process of their paintings by Rococo and Neoclassicalism, successfully represented the differences in their styles. Fragonard's picture style is Rococo. And it is characterized by softness, asymmetry and curves. Comparing these ideals is David's painting style, neoclassicism. Neoclassicism is synonymous with strong gesture, symmetry, firmness. The two works that best reflect the ideals of style of each picture are the "Death of Socrates" of Fragonard 's Blanco and David in 1767.

Let's start with examining the neoclassical movement. Neoclassical itself is created by the pendulum swaying, the rejection of the gorgeous and emotional form of the Baroque and Rococo era. Neoclassicalism emerged in the 18th century and continued till the 19th century, tried to restore the restrained rational logic to European art. It does this by reviving the origin of Western aesthetics - ancient Greece and Rome ideology. Neoclassicalism imitates mathematical harmony, accurate proportions, and collection aesthetics of the ancient world. This comparison is the most obvious in the building, resulting in a young building that looks like Greek or Roman buildings in Europe and America. However, the ideology of this movement extends to painting, sculpture, and literature. The definition of neoclassical art is a clear and intentional line, its proportion is harmonious, and most important is the meaning of rational logic.

For Romanticism and Rococo as the most powerful art movement in the late eighteenth century it was neoclassical. This term means a new movement characterized by extreme tightening of paintings and architectural lines as well as meaning the resurrection of Greek and Roman forms like the Renaissance. Part of neoclassicalism was moved by the rediscovery of Roman ruins in Pompeii and the exploration of ruins of Greek architecture; part of the movement was a frustrating response to Rococo. Of course, Neoclassicalism is very suitable for the revolutionary climate of France and the US at the end of the 18th century. Neo-classicalism is the favorite style of President Thomas Jefferson in New America, and it is the main source of inspiration for public buildings in Washington, DC.