How Photography represent Paris in the Nineteenth Century

In the nineteenth century, innovation and invention of new technology began. Until the First World War, inventions and innovations since the 19th century were more than any other historical era. From the concept of time, improvement of transportation, even from the phone, the camera is definitely a sign of history. In 1839, the camera gradually became a new major media used gradually in the 19th century. It is this invention that changes art and provides everyone a new way to show themselves to the world.

The invention of the photograph of the 19th century had three influences on the art: portraits and landscape painters were considered inappropriate for photography, and many considered photography a profession; in the 19th and 20th centuries In the art movement, artists did their best to deny the fact that this photograph is used as raw material and as aid - they ignore the fact that their work is misunderstood as fakes; through the invention of the photographs, artists I began accepting many new experiments. Therefore, the climax of the photographic invention is an epoch-making progress since the problems faced by artists - since breakthrough cave paintings.

Scope: Since the middle of the nineteenth century, photographs have limitations to capture color and movement, and despite their ability to steer, they have been considered as realistic objective expressions. In this course, students need to think about the incompatible but inseparable aspects of the pictures to examine the role of photography in the 19th century science and art. This course will focus on how photographers explore the possibilities of various types of new media, such as portraits, scientific literature, travel photography, as mass media and persuasive tools.

Suren Lalvani's work on the role of photography in building modernity shows that 19th century pictures including Carter's book can be used to train the body. By studying the general form of photographs of the nineteenth century, he concludes: "Legalization of the subject - specific forms of object relationship, visual techniques like photography, embedding of specific discourse and culture formation, Specific relationship between organizational knowledge, power and knowledge Body - (Lalvani 1996, 2). He reminds us that portraits such as pornography and advertisements are available to the public even for personal consumption Let's make it (Lalvani 1996)