How old is the allegory of 'Bharat Mata'?

In the 19th century, the idea of ​​expressing the country as a human image became increasingly prominent. This nationalized image in which the wave of nationalism in Europe broke out was done by artists to create images that are largely (almost illiterate) easy to identify the country.

Therefore, even before Bharat Mata, female fables were used in France, Germany and others. In France, she was named Marianne (see picture below) and emphasized the people's idea of ​​the country. Her character comes from freedom and republic - red hat, three colors, hat badge -

The statue of Marianus was built in a public square to persuade people to remind the people of the unity of the unity of the people and agree to it. Coins and stamps are also attached to her picture.

Likewise, Germania became a fable of the German people. Germania is wearing a crown of oak leaves, German oak stands for heroism

Along with the development of nationalism, India's identity was visually related to the image of Baratomata in the Indian context from the late nineteenth century to the early twentieth century.

The literary image was originally created by Kiran Chandra Bandyopadhyay who wrote a script called "Bharat Mata" which was first executed in 1873. In this play, the goddess Bharat Mata gives power to a couple of angry couples during the famine.

At about the same time, Bankim Chandra Chattopadhyay wrote "Vande Mataram" as a hymn song of the mother country. Later it was included in his novel Ananda Mart and was widely sung in Swadeshi movement in Bangladesh.

However, the visual image of Bharat Mata was originally created by Abanindranath Tagore in 1905. Under the influence of the Swadesh movement, he depicts his famous image of Bharat Mata where she is depicted as an ascetic image; she is gentle, calm, sacred and spiritual.

In the following year, the image of Bharatmata was circulated in popular prints and was obtained in various forms as drawn by various artists (see the picture below).

Therefore, the allegory of Blatmata was first used in the free movement to establish easily identifiable identity to Indian national new concepts.

Barratmata is a work created by Indian artist Abanindranath Tagore in 1905. This work depicts the mother of Bharat Mata or India in the style of the goddess of Hinduism. This picture is the first example of the concept and ideally drawn in Swadesh during the larger Indian independence movement. When Tagore first studied at Sanskrit University in Kolkata in the 1880s, he was exposed to the art of learning. In his early days Tagore painted a naturalistic style of Europe so that it could be seen from his early picture like Armory. About 1886 or around 1887, Gagada Nandini Devi, a relative of Tagore, held a meeting between Tagore and E. B Havell, a curator of the Kolkata National University of Arts. Havel got a local art collaborator, his idea was the same as his own, and Tagore got him a teacher to teach science in Indian art history. "

But Abanindranath Tagore 's Bharat Mata is very different from the people' s images in their minds. His Bharat Mata is a beautiful young lady in an orange sari and looks like a sad person standing by the lotus pond. Behind her head, there are halos in the four hands, giving her a sacred appearance. In each of her hands, she has a sacred manuscript, Axama, or a rosary, a vast portion of cloth and a mountain of leaves of rice. She has a calm attitude and is an embody of grace. She is a combination of Saraswati and Lakshmi, they are very respected gods, the former is knowledge and the latter is prosperity. In general, the gods seem to mean that the motherland has shiksha, diksha, Anna and vasta gifts, knowledge, spirituality, food and clothing.

Among them, the icon of Bharat Mata has historically spread to the modular framework of divinity and maternity. However, looking at another visual alignment, the dependence on the pure and sacred nature of the comic world, this framework, and the Bharat Mata icon will collapse. The famous cartoonist Shankar is behind Bharat Mata's picture in a successful manga as described here. Its symbolic value depends greatly on the country's religious vocabulary and practice. In heterogeneous models dealing with state representatives it is also necessary to seek an unmodified fragmented format of country production, distribution, consumption. ¿ 1/2