How I Would Make My Opera

The story that I choose for today's audience and opera will be a love based story, but it is a tragic love that can not be realized. Two men and a woman write an opera. This means that they truly are in love with each other, but they are in very different social classes, and the love they can share will be despised by their companion. There will be two main characters, a young man and a young lady. These two people will work in the same company they will meet.

I am confessed: I am 20 years old, and I do not like opera. Even though I never saw it, I felt it was completely inaccessible as a complete beginner. I am currently working at one of the world's best opera houses - the Royal Opera House of Covent Garden - I am completely replaced by the power of this art form. If it goes well, it will never let go of grasping your jugular vein. Opera is the original immersive media and every dramatic tool is integrated into it. Although our live and live movie coverage covers viewers all over the world, virtual reality (VR) provides tremendous opportunities (and challenges) to keep people at the center of our theater I am in

Opera is an art. It is classic. Because acquisition is not easy, how can someone participate in my career? On the other hand, if there is a chance, I think that my fear of tension and belonging does exceed this excitement. Then I forgot it for many years. Opera is the most important thing in my mind. When I traveled to France last year, I met a gentleman listening to opera, and he played some songs for me. I think that he is really excited and enjoys sharing. He could not believe I had never been there and recommended to go to me. I am not a young girl who is afraid of not belonging anymore, so when I return to America, I say I will take myself to the opera date

Coincidentally, my first opera as an audience became the first professional opera of Don Giovanni, a New York City opera I wrote in 1989. I immediately saw how opera is different from musical. In opera, sound is most important. On Broadway, all actors are ridiculous so that performers can freely sing to the wings, face forward, or upside down. It is not an opera! When I was working with Renée Fleming at The Merry Widow, I thought it important to make her the most comfortable singing position.