How does Miller show his ability to build up tension in this extract?

How the mirror showed his ability to build tension on this extract. (Page 50, "How about grape juice?" - page 52 "The court does not know him." In all the theater "Everyone's sons" Miller thoroughly stated the ability to change emotions and strengthen. The formation of the tense relationship This tension was found to be particularly evident in the discussion between this excerpt, George, Chris and Anne The past history already knows the relationship between Chris and George. It will be "to the edge".

How Mirror built a dramatic tension in the drama. Comparing "bridges from bridge" with Eastenders, you can see that they are very similar. In other words, Eastenders has a story that is constantly drawing attention regardless of whether it is an interesting story or not. - Analyzing the interactions between Hinduism and Islam in the past, you can see some noticeable tension caused by the territorial dispute of India (Hindu based country) and Pakistan (Muslim dominant country). It is a situation. The main focus of this tension comes from a common field - Kashmir / Jammu. Regional conflicts can recognize differences in religion. The conflict in Kashmir began in 1947. This is the year when the Indian subcontinent split.

Arthur Miller exacerbated the tension with the third act, and he used the tension during the conflict between Danfoss, Paris and Hail. Thesis is three people with different beliefs, rules, and procedures to achieve a dramatic effect. He did this by using confrontation to have viewers expect the court to collapse. In the second half of the third act, Miller created tension by placing Danfoss in the scene. He did this to put the Proctor on the scene and save the evidence of Mary Warren.

The occurrence and development of dramatic tension is considered one of Arthur Miller's most outstanding achievements. Explain how and how the mirror caused a dramatic tension with "looking at the bridge" and "chubby". Arthur Miller demonstrates the ability to build and maintain dramatic tensions in various forms in "A Bridge from the Bridge" and "The Crucible" theater. The tension he created is unique to each drama, and in 1953, "The Crucible" written in 1953 to show Miller's idea on parliamentary investigation and "Bridge" written in 1955 That's why I wrote. The viewpoint is based on the story he heard carelessly on the radio, but it is a rough representation of the unknown life and the idea of ​​illegal immigrants living in the United States. Miller uses many trademark technologies to evoke a series of emotions from the audience, from fear to power, to love for hate.