How did Brecht make use of character and audience in order to successfully relay his socio-political messages?

Bertolt Brecht is a famous German theatricalist and playwright whose activities are thought to be at the forefront of the drama of the 20th century. Socialism - As a Marxist, Brecht is deeply concerned about the society in which he lives, so I'd like to change the attitude of people to their fellow ideas and behaviors. His concept of epic theater attempts to dramatically change the way of plays against many of the dramatic conventions outlined in the 19th century for "crafted theater".

Brecht's drama theory means that audiences do not want emotional sympathy for the characters on the stage. In fact, Brecht intentionally created a role criticized by the audience. In order to arouse the reaction of the audience rather than passive response, Brecht planted features in his role. And, it often makes the audience challenge the audience, but criticizes them. A brave mother is drawn as a strong, witty and powerful woman. Its sole purpose is to provide life to ourselves and her children. She is a victim and her love for children makes her audience like her. It is her very contradictory nature to prevent the audience from sympathizing for her. Courage calls for herself and their children "a kind of peace", while drawing a knife to the sheriff to protect her children and recruit officials.

Brecht's play presented well social or political messages. Brecht's technology makes audiences an important observer of decisions. Looking at Brechtian's work will see the whole process, not the result. His teachings, to teach the meaning, and how to express the drama, history of emotions and affection in the scene, and contains an attempt to remove the sense of alienation; "organ, Chopin's funeral 3 again in the rhythm of the dance I will start playing the moon. " Unbearable rise). All suspense is broken in his play, usually through music and songs. Play "Arturo Ui's endurable rise" is a script that shows these techniques in great detail. The 1941 drama summarized in the 1930s, the imitation of Hitler's rise by the use of history is said to the story about the big leader

By emphasizing the political and social information of the drama, by using comedy or "spine" as a long distance technique, Brecht successfully achieved his goal and the spectators can see them on the stage I was able to do so. The content is understood critically. This means that viewers are likely to leave the theater and they want to change the capitalist society they belong to. Brecht technology including his specific techniques including comedy is widely and very commonly used in modern cultural practice. However, many people claim that there is aesthetic value rather than providing political information or adding dialecticism to performance or production today.