How Cinema and Theater Convey Pleasure in the Acts of Search and Lust

In her essay "Visual Happiness and Story Movies", British filmmakers Laura Malvi, how movies and dramas convey fun in searching behavior and desire behavior how happiness is achieved in the film I will try to elucidate the mystery of what I can do. Mr. Mulvey believes that the pleasure of seeing (the scopolgria) and the pleasure of making a woman a viewer (a voyeurism) satisfy the audience's desire, and filmmakers use this knowledge to make our natural We propose a way to create movies that satisfy our desires. With Maya Deren's "The Grid of the Afternoon" and Alfred Hitchcock's "Dizziness" you can see that Mulvey's perspective - the desire to find, find, observe and use images of women is obvious.

As Laura Mulvey explained in her article "Visual Happiness and Narrative Films", movies as "advanced representative systems" bring pleasure in finding actions and she classifies it as voyeurism or voyeurism (Malvei 484). Through film experience, people can sit in a dark theater and enjoy from an invisible angle. As E. Ankaplan mentioned in the introduction to the book "Women and Movies", there are three emergence of this gaze behavior. "(I) In movie texts, men gaze at a woman and gaze. (Ii) in turn, the viewer agrees with the gaze of the man and objectives the woman on the screen, and (iii) the camera

Mulvey's main argument in "Visual Happiness and Story Movies" is that Hollywood's story movies are used to give women a fun visual experience for men. A story movie considers their gaze as masculine. A woman is not the owner of that person but is always an object of gaze (this is somewhat reminiscent of John Berger's "view") Movie gaze always creates masculinity by identifying male and male hero I will. Using a camera. Mulvey has identified two ways Hollywood movies are happy. It comes from different psychological mechanisms. One is image objectivity and the other is image recognition. Both of these mechanisms represent psychological needs of male subjects. The first form of pleasure includes Freud's so-called voyeurism or someone's happiness with some sort of stare.

Explanation of happiness. For example, a person may be confused due to happiness, but you can deny that you can not satisfy the feeling of external conditions. For example, in this way, a person may confuse the desire for love. But I believe that this view considers positive feelings to be happiness, but in some cases happiness may be appropriate or inappropriate (or "true" or "false") believe. When we experience happiness, we experience happiness in something, have fun in certain situations, or the pleasures we experience depends on what we do. This happiness is recognized when it proved that the basis of happiness or the goal of happiness is not available. Thus, if it is based on a wrong idea about sorting, if it is showing a wrong expression (if I prefer x, or if x does not actually enjoy x), or this kind of amusement It is not appropriate.