"Home Sweet Home" has hundreds of young and old young people in my apartment, each with a unique unique story. In my story, I am from a typical suburban suburb, the grass is always green and every house looks the same. In that community, it is easy to get too comfortable. It is not so "perfect" to forget things in other parts of the world. As my stepfather passed by, we sold the house, moved to town, changed my way of life.
Home and family: The sweet home for the family should be a safe and secure place, but it will be a dark and tragic place of madness and murder in this story. The narrator killed his favorite pet (black cat) and killed his wife. Therefore even his relationship, which should be his healthy and happy family-centric focus, will be a scapegoat for his deteriorating mental state. Wife: His wife may be the basic force of his life. The narrator expresses her as "a kind of emotional humanity". She saved him, or at least she might have escaped my life. Instead, she became another terrible example of losing innocence. She never leaves him (she is loyal, loyal, kind), she eventually died, not due to natural reasons, due to alcohol, anger-induced evilness
When it was "Home Sweet Home" by Currier and Ives's lithograph, the idea of "home" seemed sentimental. Process it and you will find that edge. People who use "house" as weapons will shed blood. Seriously considering the unevenness of "home", most of our assumptions about America in the 19th century will shift from the center to the edge. Some of the core 'truth' in the American traditional meaning is less certain. For example, Americans in the 19th century were individualists who believed in untransferable rights. Although individualism is not fictitious, Horatio Alger and Andrew Carnegie are no longer the second of Ian Land and do not include the mainstream social view of the first golden era. In fact, the basic unit of the Republic is not an individual but a family, not a group. Family citizen, church, community, and volunteer organization.