Hmong Textiles

The people of the Miao family are known for their surviving demons because of the silence war with China and the emigration of the Vietnam war. Nursery Nationality is a word many people have not heard, but their culture is called "free people". The seedlings survived like their entire culture. Attractive handcrafted designs have existed for more than 2 centuries and their embroidery is popular in Asian countries and the United States. The seedling fabric contains various embroidery of floral fabric, story cloth, and New Year 's dress.

Miao's textile design is traditionally used for clothing and contains complex shapes and design sequences. After the war, the women of the Mong tribes applied their skills to a new form of fabric intended to produce revenue and to be offered to Western audiences to provide livelihoods to their families. Because the monk refugees were encouraged to tell their stories through embroidered stories from missionaries and UN officials, the stories of folk art may have started with Thai refugee camps. Miao artists supply materials at the camp and are selling the finished fabrics to the USA and other Western markets. Because Miao artists move to places like decora, they continue to make story cloths to provide income to their families.

The Fumoni community of Fresno dates back when the first Humon refugees arrived in 1976. In 1970, the people of Laos slid into northern Vietnam, Miao moved to Thailand refugee camp and eventually moved to the United States. Between the ages of 76 and 92, more than 115,000 Han migrant to the United States and more than 30 thousand migrated to Fresno. "This is exactly community service," said 32-year-old Panvan. Van is the fifth generation of his family who plays instruments. Between weekly work and father of FedEx franchise owners, he spends his weekend at Miao's funeral. "When you need it, I will help you, One day I need your help, this is a way of seedling culture."

The traditional textile model of seedlings in the Salon of Vietnam is regarded as a country's intangible cultural heritage. This kind of understanding will definitely help protect seedling culture. As a domestic community subject to strong political persecution, this international perception of Miao's status may help stabilize the position as a minority.

The family will cover a wide range of cultural differences that are believed to reflect the migration of different seedlings from Central China. Southeast Asian Seedlings The two major cultural sectors of nationality are white seedlings and green seedlings. And it may represent the color of the women's clothing. White seedlings and green seedlings traditionally live in different villages, rarely get married, speak different dialects, have different forms of ladies' clothes, and live in different architectural houses. By the end of the 20th century, the distance between cultural groups has been getting closer and closer - more marriages happen, mixed residents become commonplace - but the differences between departments are still very strong