Hitchcock and Feminist Theory

Rebecca is mainly due to the narrator and we are listening to what other people are commenting about her in the novel. What is Hitchcock 's "composition" of Rebecca and its novels? Like in the world, representatives of the world are humans; they explain it from their own point of view, and they confuse it with absolute truth. - Rebecca 1 by Donehne du Maurier The continued appeal of Gothic romantic songs is a tribute to its popularity and academic influence. Dumorier, which was announced in 1938, uses exquisite complexity and complexity to make an exciting investigation of past power and interference with the present.

Feminist film critic Tania Modleski of the 1980s questioned the viewer of the film, especially Malvi's view on her books. "A woman who knows too much: Hitchcock and the view of the rear window in feminism doctrine theory Modrsky thinks that women are different from men, but that does not mean that women are not that strong, Because the fear is that the woman is not actually castrated.The movie shows that there are many differences in the way Jeff, men and Lisa, women observe the same, so Modrsky also shows Lisa's perspective Is clear, she stated that men objectify the image of women, women agree and sympathize, an example of which is different observation by Mr. Torso, I think that it is "Queen of Drone", but Lisa thinks that he is "the most difficult work for women - play with wolves" (9)

Laura Malvey is known for feminist criticism of his films and movies, and Alfred Hitchcock is known for making movies that pave the way for feminist movie theory. The movie that Hitchcock directed to attract the attention of feminist theorists would be rear windows and dizziness, and that will be discussed further. In Mulvey's article "Visual Joy and Narratives in the Movie", she believes that Hitchcock's film portrays a classic Hollywood movie woman as a passive target of male voyeurism and sadism.

In this article, Modlerski has a very negative view on women's performance in Hitchcock film. Modleschi considers sexual violence a general view of the feminist against "blackmail". First, Moddleschi pointed out that the movie can be seen as a "set" of women, he began to laugh at other people's joke by flirting to start a movie, and finally became someone's joke . This woman occupies a place where Freud gets to women with an obscene joked structure, that is, the position between objects of two men. To support this idea, she hired Helen Sixos, Laura Malvey, and Maurice Jacoire in order to examine the movie's joke and laughter functions from the point of feminist theory. Second, she believes that people can find great joy through long rejected anger, so Hitchcock is obsessed in exploring the psychology of women tortured in the movies. I am confused about the point she put here.