Henri Matisse: The Cut-Outs

Until 1950-51, Matisse and his studio assistant put a slit in the studio. When the work was sold before this day, they used technology called "distribution". The cut shape was adhered to the underlying paper with a small amount of adhesive. This technology enables frame and transfer of works while maintaining its three-dimensional vibrancy when it is fixed to a board or a wall

In 1952, Matisse was introduced to Lucien Lefebvre - Foinet 's Arts Supply and Restoration Company in Paris by Mark Chagall. The company uses a traditional paint reforming process to meet the special needs of the Matissek installation. Matisse is very concerned about the long-term preservation of the incision, he feels that this technology can fulfill his needs. The advantage of this technology is that it can safely store, assemble and transport the installed cutout (even in very large size). Since the surface of the gouache is easily worn by any body contact, Matisse wishes his work to be glazed. The disadvantage of this process is that the cut dimensions are lost if the cut is fixed to the wall of the studio. The idea of ​​working on paper may still be in a permanent state at first glance and we have accepted and accepted this idea now but when imagining a clip it can not be imagined.

Henri Matisse: The Cut-Outs was exhibited at Tate Modern in London from April 2014 to September 2014. This exhibition is about the largest and most extensive paper, including about 100 different paper models borrowed from the public and private collections of the world and various related drawings, prints, picture books, stained glasses, textile products It is disconnection. There are 130 works in retrospective exhibitions including works from 1937 to 1954. Tate Modern Art is the first work in history to attract more than 500,000 people.

In the wonderful winter of the Henry Matisse exhibition, at the cutting of the Museum of Modern Art, visitors were another major artist Pablo Picasso's special exhibition in the 20th century (born in Malaga, Spain in 1881, died in Mougins) France, 1973 ). The exhibition is a comprehensive survey of artists' sculptures. In 1967, six years before Picasso's death, the Museum of Modern Art opened the first Picasso sculpture exhibition exhibited in this country. At the time most of the work was borrowed by artists from his own collection. The press release of MOMA in 1967 is full of enthusiasm and great praise: "Huge panorama of his diverse styles of sculpture has now been combined with human varieties, and it makes him clearly noticed to him This aspect of the work can be regarded as a major element in his enormous production.