Hemingway and Fitzgerald

Hemingway and Fitzgerald Ernest Hemingway and F. Scott Fitzgerald are one of the most famous and infamous relationships in the history of literature, first appeared in Puerto Rico in late April 1925. Let's meet at the Paris Party Bar Dingo Bar. In his novel "A Moveable Feast" (published after death), Hemingway mentioned his first impression of Fitzgerald. Scott had lots of strange things, but I forgot.

Ernest Hemingway wrote an article that may be cited most in his letter to F. Scott Fitzgerald. Because Hemingway was married to Zelda Sar, he called Fitzgerald "Squat". "People who work for you, I want to compete with you and spoil you" This image represents creative incapacity and emotional indulgence. From our point of view, the 1930s seems to be full of clumsy masculinity due to modernist's anxiety and Prufrock style depression. After all, the perfect appearance of the castration theory represents the inner voice of that person. Nonetheless, Hemingway is not opposed to the tendency that the writer "is injured like hell", but welcomes "damn harm" useful for literary practice. At the same time, you can see that he is demanding a certain degree of objectivity. We must analyze the pain of people - art is like a "scientist".

It is difficult to determine where Hemingway and Fitzgerald occupy in literary modernism. Although they were involved in modernism writing style since their early career, there was no special experiment in writing aesthetics. However, Fitzgerald and Hemingway have made the important role of modernism a symbol of the so-called "next generation". Fitzgerald did not announce an amazing experiment of his prose, but his work is full of contemporaryism themes. The disillusionment of society, the contempt of "tasteless, greedy and often violent materialism", and the concept of self concentration and self-inventing are part of the most modernism Fitzgerald explored in his writing. Main problems (Nap 2)