Heiji and Kudo

Heiwa is a typical high school student. For example, by giving and taking some of his unique quirks he is smarter than most boys of his age. He has a wonderful memory. If most people feel that their bodies are bad and squeaky, Heiji jumps onto it first and deciphers the cause of death or even death. A strange thing like a child attracts him to a fun video game. If an incident occurs, you can bet that the plain is ready to crack all the cells in his brain. He can be explained as being very impulsive and sometimes absent-oriented too.

Several members of Genji Botaru, a group of thieves who aimed at Japanese relics, were killed by a criminal who wore a Noh mask. Conan and Heiji are investigating this series of murder cases, but the threat of continuous killing is close to Kazuha. Can Heiji save the Kazuha well? Whenever Heiji is involved in Conan movies, it will be even more fun! I like the theme song "Cangmu Mai" representing famous works of Kyoto and their theme song "Time After Time ~ The Whirling Blossoms" ~ very much. After watching this movie you will want to go to Kyoto. Do not participate in any crazy murder scene, but Conan and Heidi did what they did in the movies! Lol

His theme and work have transcended the range of postwar art culture and history of Japan, but the center of Kudo's work is essentially Japan. Kudo's work got inspiration from Japan after dropping the atomic bomb, and like Miki he used the image of man as a place of pain and ugliness. Kudo plays a role as a vessel for understanding the development of the postwar world. This is because it relates to world arms race competition and the deterioration of old ideas and business methods. Kudo's sculpture also has a strong organic composition that shows Kudo's aesthetic (see Appendix F)

Kudo once wrote like this: "What do you need now?" (Kudo), this problem is central to his work. Kudo's works always think about questions and ideas that need to be discussed through art. According to Japanese thought and observation after the war, Kudo's work is aimed at the relationship between the decline of Japan and the old world and the development of new ideas and technologies. Kudo's work later in Paris used this animal dichotomy by bringing humanity, sexuality, and spirituality into the age of technology using sculptures of ancient mechanical structure and contemporary everyday things We further promote. In this way Kudo will advance his work.