Hector Berlioz's Symphonie Fantastique Essay

Hector Berlioz wrote Symphonie's fantasy at the age of 27. Based on his enthusiastic life, he transferred his memoir to his most famous Symphony in the program. This story is about a sickly, frustrated young artist, and in his desperate poison he himself suffers from opium. His lover has a symbolic meaning through the symphony. The entire symphony orchestra has five exercises. The show begins with the first movement. Acknowledgments, passion symbolize the artist's life before meeting his beloved person. Until suddenly this is a kind of sincere and uncertain search or longing, his desire suddenly stops and is replaced with the love of the volcano. ... more content

A terrible scream, a scream, and a fierce laugh rang in his ears. Then suddenly Idee fixe appeared. This is his beloved. However, the familiar Idee fixe is no longer a modest and noble melody of the previous action. The solution of the idea is now vulgar and grotesque, it has become a new form. She came to this demonic carnival. The witches greeted her with joy and she joined the devilish dance with them; Bell accused the dead. The listening guide 25 is the third movement, the scaffolding in March: the demon parade is secondary, and the idea · finkey is heard in the last part of the campaign. The clarinet is an instrument that represents the Idee fixe, and it is finally separated by a tough strong string and ends with a sneaky essence. Structured media consists of large orchestras, (flute, piccolo, 2 clarinets, 4 French horn, 4 subwoofers, 2 trumpets, 2 trombones, 3 trombones, 2 ops, 2 timpani , Bass drum, bell, string) The shape is loose (ABA) The movement is divided into six parts. It first introduced an ominous drum and soft brass. Introduction ends with a basic drum explosion, slowly introducing the second part of the bass theme A with a careful rhythm, it is picked up by the violin. The theme B brass instrument and wood wind instruments express the rhythm of a devilish marching song. Then repeat the opening. The third or middle section is the development part. Tenary

The concert was performed by Berlioz's Symphonie Fantastique by the Chicago Symphony Orchestra under the direction of Stéphane Denève and was recorded at high resolution in the orchestral hall in December 2013. Created by Hector Berlioz (1803-1869), Symphonie Fantastique is a symphony of the program created in 1845. CSO (2013) "as a melodrama of pure music", as a color illustration of the artist's life, induces fantasy of five moving orchestral works telling stories full of unrequited love, witches, guillotine, colorful opium That composer Hector Berlioz created "Symphonie Fantastique" at the age of 27 to explore the German romanticism and to provide himself a symphony for his native Paris. Watch more content

Hector Berlioz's Symphonie Fantastique Hector Berlioz created Symphonie Fantasia at the age of 27. Based on his enthusiastic life, he transferred his memoir to his most famous Symphony in the program. This story is about a sickly, frustrated young artist, and in his desperate poison he himself suffers from opium. His lover has a symbolic meaning through the symphony. The entire symphony orchestra has five exercises. - Hector Berlioz (1803-1869) Berlioz (Bear Lee Oz) is a French composer whose father is a doctor; in order to please his father, he went to the medical department, but he I was listening to concerts and theaters instead of studying medicine. Berlioz plays flute and guitar, but the most famous are composers and coordinators. As a student at the Paris Conservatory, he repeatedly tried to win the famous Roman Grand Prix and eventually won in 1830.

Between 1830 and 1832, he met three people who had a great influence on his artistic life. At the end of 1830, he first met Hector Berlioz and he listened to his first performance of Symphonie Fantasy. From Berlioz, he inherited the romantic orchestra and the commander of demonic qualities that he remained in him for the rest of his life. In 1833 he achieved a seemingly impossible virtuoso of copying the Berlioz 's symphonies fantasy for the piano, and he helped Berlioz by copying his other work and playing it in a concert. In March, 1831, he first heard about Niccolò Paganini. He was once again interested in the artist's technique, moved some of Paganini's wonderful violin effect to the piano, and decided to write fantasies at his La Campanella. At this time he also met Frederic Chopin whose poetic style had a great influence on the list.