Dialogue: At American Theater, Harold Krummund said "I will finish the drama" (27), this is the view I encouraged him to help create a unique American drama. Kullman is considered one of the most influential directors of contemporary American theater, and he has its own insight into the performance of the American drama. Clurman is a modern one of Elia Kazan and Lee Strasberg, one of the founder of the Collective Theater, and has been married for 20 years with Stella Adler.
Harold Kullman is known as the most influential person in the history of American drama. Harold Clurman was born in Lower East Side in Manhattan in 1901. When he was 6 years old, when his parents took me to meet Yiddish actor Jacob Adler, he first contacted the theater. During his participation in Sorbonne in Paris, Kurman first began to explain his view of the new American theater. Between 1935 and 1980, Kuruman had over 40 plays including Clifford Odz's Wake Key, Sin and Paradise Lost, Carson McCallers' Wedding Members, George Bernard Show Heart Break House, Eugene O'Neal's Poetry Touch, Anton We supervised. Chekhov's Uncle Vanya, Gates's Tiger's Jean Giraudoux, and Vichy's event Arthur Miller. He has written seven books including The Fervent Years (The Group Theater's History) and On Directing. He died from 1953 to 1980, he is a "national" drama critic
The group theater was founded by Lee Strasberg and Harold Clurman who wanted socially meaningful theaters. It was only one of many left wing drama organizations of the 1930s. The collective theater is even a short-lived group: its members cook, live and work together. Kazan joined as an actor in 1932, and eventually he became a writer and director. Even though depression standards, his weekly salary of $ 18 is very low. Like most comrades, Kazan joined the Communist Party of the United States and made numerous political speech at the corner. He wrote several excitement (advertising publicity) drama to awaken the collective power of blue collar workers. He idealized Soviet and Soviet drama artists like Meyerhold, Vakhtangov and Stanislavsky.
In the early 1930s, believers of Stanislavsky and future major theatrical directors, Area Kazan, Robert Lewis and Harold Kulman formed a clear leftist influence and influence. Garfield is a founding member group theater. A playwright such as Sidney Kingsley, Irwin Shaw, and especially Clifford Odets wrote for The Group, among which John Garfield is the brightest young star among Lee J. Cobb, Morris Carnovsky, Frances Farmer and Franchout Tone He is one of them. But when casting began to be one of the most successful pieces of the group, the golden boy, Clifford Odets' golden boy, the director Harold Clurman was in trouble, and he had autobiography about the company at The Fervent Years I have written. "Odets promises to play a central role in Jules Garfield - like many playwrights, Odets is accustomed to making promises to actors before the actor writes his script.