Hamlet's Mirror Unlimited: The Mind's Prison

The problem of Shakespeare's "artistic" inevitability is that the externality of emotions is completely sufficient in this manner, which is exactly the drawback of Hamlet. "(Elliott) Hamlet continues, he wants to know so many soldiers, that number is" 20 thousand "man ... [In his head he is the inner death of their Hurry up to find out ... .. for fantasy and fame tricks ... [definitely] like a bed to go to their grave and for conspiracy to [fight] ... [I do not know why they are fighting, so there are not enough tombs and continents to hide people killed so much so? "(Shakespeare's 4th act) Taking this as an example. He deceives himself and tries to express his behavior by saying "O". From this moment, I, you

Roosevelt said: "Men and women are not prisoners of destiny, they are prisoners in their minds." The heart has a lot of power. It also has the ability to cure disease and cure. It exerts its desired result indefinitely. Humans restrict themselves in their own thoughts, and vice versa. He can get all he wants and what he wants. This way of thinking shapes who we are and what we are doing. Our thought is to shape our belief system of programming, thought, reasoning and function. When he falls asleep, the human unconscious mind has infinite opportunities. This is the reason why his oppressed unconscious desire has the opportunity to happen in his dreams.

The crazy motif of Hamlet of William Shakespeare is the driving force of mankind from the stone age to the industrial era. This power is also a necessary element of an inevitable mental prison, and this terrible disease may be regarded as the greatest irony in life. Pain is a terrible disease, and everyone feels forever. Painful sorrow may be a sensational wave, leaving only a sensible appearance ... Ghost revenge, Hamlet pretends that he is consciously looking for the murder of Claudius pretending to be crazy I will do. It is the right time. Therefore, it is difficult to conclude that he was mentally ill by misdirected after the oath. The so-called insanity of Hamlet is not only related to other characters in most plays, it is also a way to develop his role through the play. However, the problem remains. Does Hamlet really pretend to be mad, just pretend.