Guy Debord's The Society of the Spectacle

Guy Depod's Landscape Society For decades Guy Depod's "Landscape Association" was published only in English, but the so-called "pirate" version issued by Black & Red may not be beneficial to modern society not. There is not much criticism by political activists and avant gardens. Originally published in France in 1967, it was seldom mentioned in some of the most affected areas by that idea - media research, social theory, economics and political science.

In terms of historical analogy, frogtwitter reminds of the right - wing version of the situation. Guy Debord's The Spectral of the Spectacle (Mena Quinone, mentioned in at least one tweet) sighs, saying that the industrialized world had eliminated us from reality and let us participate in projection I will. Frogwitter reflects Debord's uncompromised anger. Like a situationist, frogs are much better at criticizing society than providing concrete solutions. As a right - wing intellectual, there are similarities between Italian futurists, and I can definitely see frogtwitter etching the declaration of that steel. Italian futurists insisted on violence and rule, which eventually led to Mussorini and Italian fascism. The futuristic trend of frogtwitter may be a terrible panic like Twitter and baby - the idea of ​​Hitler's killing is not completely irrational

Foster's "traumatic discourse" is a further development of the concept of "landscape" of Gayde Pod in "landscape society". Perhaps one of the most prominent features of Debord's text is that "the landscape is where the capital gathers as an image." The reaction of temptation is shocked and can accept what is considered despicable

The "landscape society" written by Guy Debord and published at the highest time of the Vietnam War in 1967 believes that the world has been replaced by the concept of landscape. Debord explained the composition of the landscape (in a few paragraphs), "In society where modern production conditions dominate, life is regarded as an enormous accumulation of eyeglasses, all directly living things already exist (# 1) Debord stated that life in the modern era has become a reality, as representative (ie media) real life experience replaced the experience of digital life. "Landscapes are presented simultaneously as a society, as part of society, as a means of unification, as part of society, it is the focus of all visions and all consciousness.