When I first read the kitchen when I explored and grew up in the kitchen of Yoshimoto bana, I knew I had something very special. I have not witnessed joy and pain in the process of growth since I first read the wheat field observers. These plots are distorted and spinning in a creative and obsolete way, but they are still reliable. The authors of these novels tell us that their story has a more exciting and subtle style than textbooks and specified reading. It is different from a good one-sided conversation.
Yoshimoto's banana kitchen: Yoshimoto is a Japanese writer drawn as a professional battle of everyday life. Kitchen, collection of two novels, touch, easy to read, and access. She explored the importance of the family in the changing social world that was driven out of the house, and the devastating effects that caused some jokes in the process. The kitchen is a bit funny, but the hero's struggle may seem to be familiar with their own literary distortions. Chernobyl Svetlana Alexievich: The voice of Chernobyl is not timid, it is for sadness, loss, and meaningless death of the 1986 Chernobyl nuclear power plant accident. Alexeiević, who won the Nobel Prize for literature in 2015, has created several new literary forms. She interviewed dozens of survivors, including deformed child's mothers and wife of disabled first aid, and let them spontaneously talk.
When I first read the kitchen when I explored and grew up in the kitchen of Yoshimoto bana, I knew I had something very special. I have not witnessed joy and pain in the process of growth since I first read the wheat field observers. These plots are distorted and spinning in a creative and obsolete way, but they are still reliable.
Japanese female writer Yoshimoto Banana's novel "Kitchen" depicts a story about the growth of a young Japanese woman. I believe that death and suffering are inevitable in life by drawing Mikage's experience and her non-traditional family in an elegant and delicate feminine language style, "Life is a healing process." The kitchen was published in Japan in 1988, it was only 24 years old. (Hansen) Since then, Yoshimoto was very young, with unique beauty and youthful emotion, the novel was very moving and became the most famous female writer in contemporary Japanese literature. In the kitchen, Gibbon skillfully painted consideration of childhood and expressed her views on youth's death and consideration of life (Mikage).